导演:拉希德·努格马诺夫
主演:维克多·崔 Marina Smirnova 彼得·马莫诺夫 亚历山大·巴希罗夫 Arkhimed Iskakov Gennadi Lyui
In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the m剧情 针在线观看免费完整版由大海影视www.dahaiys.cc于2023-11-27 10:11:05收集整理于网络,并提供针全集优酷、腾讯、奇艺、芒果等高清视频观看模式,大海影视所有的播放线路均不需要下载任何播放器(有的浏览器需要开启FLASH插件)。这里有各种搞笑,经典的电影,以及各大电视台热播的国产电视剧,韩剧,日剧,美剧,港剧等同步更新,让你在空闲下来的时候,可以尽情欣赏一部好看的电影、连续剧和综艺节目,为你带来愉快的心情!在观看中体会人生百态,在电影中感受奇思妙想,丰富情感,通过感官感受电影所带来的一切,在内心深处形成感情的共鸣。
In the bleak filmscape of glasnost, The Needle stood out as a black sheep of a movie. The most playful and offbeat of the Soviet films of the period, it contrasted sharply to the mainstream, which was overwhelmed with revisionism of the Stalinist past and nihilistic social criticism. Made in 1988 by a young Kazakh director, Rashid Nugmanov, fresh out of VGIK (the national film school), The Needle was a pioneering effort in several ways. Having come from a remote, stagnant republic of Kazakhstan, the picture set off a movement that has come to be known as the "Kazakh New Wave." Represented by such works as Alexander Baranov's and Bakhyt Kilibayev's The Three (1988) and Woman of the Day (1990); Kilibayev's The Tick (1990); Baranov's He and She (1990); Abai Karpykov's Little Fish in Love (1989); and Serik Aprymov's The Last Stop (1989), the Kazakh New Wave was for the agonizing Soviet film of the late 1980s what the French New Wave was for the dusty French film of the late 1950s. The Needle was the movement's a bout de souffle. The film also became a model for the Russian version of postmodernism—uninhibited and uninformed, compensating for the lack of culture, skill, and resources with mischief and wit. A young man named Moro (played by Viktor Tsoi, the late rock 'n' roll legend from the St. Petersburg band "Kino") returns to his Asiatic hometown only to find his exgirlfriend, Dina (Marina Smirnova), becoming a drug addict and himself becoming involved in the bizarre life of the city's underworld. In an attempt to save Dina, Moro takes her away to the Aral Sea, turned into a barren desert by the time they arrive. There Dina seems cured, but back in town everything starts anew. Almost desperate, Moro decides to fight the drug dealers, led by a hospital doctor (played by another rock 'n' roll star, eccentric leader of the "Sound of Mu" band and the future star of Taxi Blues, Pyotr Mamonov), when one of them stabs him in a deserted park.